Guild of MastersSelected paintings
Photograph of the painting

Guild of Masters

The Golden Hour

An interior opened to the evening

Guild of Masters · Original composition · Still life

Acquisition priceAED 234,000

An opening in the drapery reveals the desert in evening light. In the foreground, an ornamented coffee pot, a cup, dates and patterned fabric bring the scene close to the viewer. This original composition holds two scales together: the intimacy of objects within reach and the distance of an open horizon.

Enquire about this work The story of the painting ↓From the workshop archive ↓

The artistic undertaking

Metal, fabric, fruit and the distant landscape respond differently to the same light. The coffee pot’s ornament must retain its precision while following a rounded surface. The foreground must feel substantial without closing the space beyond it.

The workshop photographs trace the development from abrasive work through optical mixtures and the introduction of colour. They show light and form becoming established before the later enrichment of colour. An edited process recording offers a further view of the work in progress.

Look closely

01

Follow the light and the ornament around the coffee pot.

02

Compare the evening sky with the illumination of the foreground objects.

03

Look at the dates, the cup and the patterned fabric nearest the viewer.

The work and its value

The painting brings an original composition together with a sustained study of light across contrasting materials. Its documented stages give the collector a way to understand how this particular image was made. The atmosphere is carried by relationships of tone and depth that can be explored repeatedly at close range.

Created by the guild under the artistic direction of Leonid Lukin, with the master’s final artistic review.

From the workshop archive

These photographs and recordings document stages and details of the work. Lighting and camera conditions vary between recordings.

Form revealed through abrasion
The first optical mixtures
Developing the optical layers
Beginning the colour stage
Abrasive work on the image. Silent excerpt from an edited workshop film.

Enquiries

A closer encounter

Arrange a private viewing or request further information about a painting and its creation.

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